[STYLE] Full live-action cinematic realism throughout. High-contrast chiaroscuro lighting with deep shadow compression and oppressive darkness. Intense camera impact with explosive pacing, but grounded in photographic texture. Real motion blur with subtle film grain.
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FORMAT: 15s / MULTI-SHOT / Rhythmic stacking\n\nSTYLE: Bright cartoon food animation, bouncy physics, glossy textures\n\nCOLOR LOGIC: Hyper-saturated, juicy tones\n\nSUBJECTS:\nCartoon chef hands, burger ingredients (alive-like behavior)\n\nENVIRONMENT:\nClean cartoon kitchen, minimal
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Create a cinematic kung fu duel between a small, highly skilled cat and a legendary human kung fu master in an ancient temple courtyard at dusk. The cat moves with lightning-fast paw strikes, agile flips, low sweeping footwork, tail-balanced spins, and precise martial-arts poses.
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Massive intergalactic warzone filled with hundreds of ultra-advanced futuristic starships clashing in deep space...
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0-3s (Initial Descent): The character falls through the daytime sky in free fall, eyes closed, frowning slightly. Hair flies violently against the wind. Red electrical arcs begin to flicker on the skin. Motion blur on the surrounding clouds is intense.
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premium motion graphics video with floating holographic particles and crystal-like structures building into a majestic glowing tree with flowing light leaves. Dark void background, elegant and magical animation.
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extremely fast-paced cinematic FPV flying through the ancient Kingdom of Urartu at its peak, sweeping over massive stone fortresses, terraced mountains, and ancient cities around Lake Van, dynamic high-speed motion with sharp turns, dives, and climbs, realistic ancient architecture, warriors, markets, and temples in motion, golden hour lighting, volumetric s
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Generate a scene of a young Japanese woman singing under weeping cherry blossoms using <image_1> as a character reference. Lip-sync with the input audio. No microphone. Multi-shot.
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Photorealistic blockbuster cinema. 16:9. ARRI anamorphic, heavy 35mm grain, no color grade, only practical lighting. References: Pacific Rim, District 9, Mad Max Fury Road. A battle-damaged mech 40 stories tall stands in a destroyed Tokyo-Seoul megacity at night. Unpainted
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An android girl malfunctions and proceeds to destroy an evil research lab one after another. A doctor shouting, "Waaah! Stop it! Please stop it!" but the girl doesn't stop. There is a big explosion, and the lab is destroyed.
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Daytime, a slope lined with cherry blossoms (outdoors). She bursts out of the front door with a piece of toast in her mouth. A parody of the classic anime 'I'm late, I'm late!' trope. The camera captures her profile while only the background flows by at high speed. Along the way, she rhythmically avoids various obstacles. - Evades a stray cat jumping out wit
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SUBJECTS: A male street dance expert, white buzz cut, wearing small gold hoop earrings and a gold rope chain. Dressed in a dark brown hoodie, a pure white crew neck shirt underneath, dark brown loose pants, and white sneakers. ENVIRONMENT: Pure seamless background, slightly cool
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Extreme close-up from low angle. The torso twists away from the draw side — the left shoulder drops forward, the right shoulder pulls back, weight loading into the rear hip. Magenta energy arcs swirl around the torso, building intensity. A bright flash ignites at the sword hilt.The body uncoils — explosive rush directly toward the camera with heavy motion bl
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Cinematic horror-fantasy sequence at a brightly lit night carnival. Starts with a close-up of a cute, small, fluffy blue cotton candy monster looking shocked. Cut to several young children greedily eating blue cotton candy. Back to the small monster looking furious as its eyes glow. The monster then explodes into a massive cloud of blue smoke that towers ove
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A quiet environment suddenly disrupted by a massive transformation. Objects in the scene begin shifting and assembling into a giant mechanical creature. The camera pulls back to reveal scale. Dust, debris, and shockwaves
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A glowing asteroid enters the atmosphere above a sprawling metropolis at night. The camera tracks the meteor streaking across the sky before it slams into the city center. A massive shockwave blasts outward, flattening buildings and throwing cars through the air. A gigantic fireball rises above the crater as dust clouds engulf the skyline. Asteroid impact di
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A Japanese woman is the protagonist. The setting is high above the skyscrapers of a collapsed near-future city. An aerial space at night with broken elevated walkways, crumbling walls, protruding steel beams, shattered glass, smoke, dust, pale blue backlighting, flashing neon, and drifting sparks. The ground is far below, a high-altitude location with a cons
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A camera rapidly orbits a woman standing in an open space at night. She wears a flowing white outfit. As she spins, the outfit explodes into glowing particles and digital fragments
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・Starting from a logo or a cool visual ・Being handed a drink during a marathon ・It's a Bacon Latte ・Confused at first, but after drinking it... ・Getting energized ・Logo ・Bacon Latte, half-price sale now on!
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## Scene 1 | Green Screen Entrance [Camera] Center fixed, front / bust-up frame [Direction] Character slides in from the bottom of the screen. Emphasizing a studio feel while looking at the camera with a smile. [IN] Slide down 0.3s ease-out ## Scene 2 | Right Eye Close-up [Camera] Extreme close-up, centered on the right eye -> rapid zoom-in (0.4s)
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A Pixar-style short about a nervous little traffic cone who dreams of being a finish line pylon at a major race. Other cones mock its ambitions. A construction worker accidentally places it at a marathon finish line. The cone's painted face shifts from terror to joy as runners pass. Confetti falls on its cone head. Other cones watch on TV, inspired. Audio: T
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A scene from a movie. A beautiful and sad video. All dialogue is in English with Japanese subtitles at the bottom. A beautiful sunset on a beach on the West Coast of America. Cut 1: A boy sitting on a dike looking at the sunset sea with a sad expression. An older man sits next to him. He says, "Well, a lot of things happen in life." Cut 2: The boy glances at
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The setting is a Western movie with dancing sand.\n[Cut 1]\nA brilliantly shining sun.\n[Cut 2]\nA shoulder shot of the person in the first image, showing the person in the second image.\nThe back of the first person is towards the left side of the screen, and the front view of the second person is towards the right side.\n[Cut 3]\nA close-up zoom of the per
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Nostalgic and emotional footage in the style of a 1990s Indonesia trendy drama. City at night. An Indonesian salaryman and a Sundanesse office lady in their early twenties are running together in a sudden rain shower. Both are soaking wet, with rain clinging to their hair and clothes, laughing breathlessly. The man is wearing a dark suit typical of the 90s.
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Explore proven Seedance 2.0 video prompts, watch the generated result, and open any idea in the built-in generator without leaving the library.
Each example pairs reusable prompt text with a playable video, so you can judge camera motion, pacing, lighting, subject consistency, and visual style before generating.
Choose a prompt, refine the scene, add a reference image when needed, then set aspect ratio, resolution, duration, and audio in the side generator.
Describe the subject, action, setting, camera movement, framing, lighting, visual style, and timing. Keep instructions concrete and remove details that do not change the shot.
It is a text instruction that describes the scene, subject, action, camera behavior, lighting, pacing, and style you want Seedance to generate as a video.
Yes. Copy any prompt or open it in the side generator, then replace the subject, setting, action, or camera direction for your own project.
Yes. For image-to-video, upload a clear source image and use the prompt to describe motion, camera movement, lighting changes, and scene progression.
The generator accepts prompts up to 2,500 characters. Longer source prompts remain available for research but should be edited before generation.